Thursday, November 15, 2012

Good Morning Writers

I am not at school today so I thought I would communicate with you via blog. Much of your term 1 writing has been very good, you have amazed me with your creative thinking, ability to bring a story to life and create emotion in your poetry. Congratulations!

I was going to mark the symbolism sheet for term 1, but I moved it to term 2 instead. The following is a recap of what is needed for term 2 so far ( this does not include the two writers who are writing books). All term 1 work will be handed back next day...I would like to spend the full class with you to set up expectations for term 2 and work with my two book makers.

1. Symbolism sheet -5 marks
2. Issue poem: Focus on a big, real world issue like poverty, child soldiers, the environment etc, you may need to do some research before you write in order to fully understand the complexities of your issue. - 10 marks
3. Bucket list: A list of 25 things you want to do before you turn 25. -10 marks
4. Small one scene script: This should be written in script format and should revolve around a conflict that two people are having. It is kind of like a combination between the conflict and dialogue assignment you already did. Make sure you write a small piece at the beginning to set the scene.
- 15 marks


NEW ASSIGNMENT 3-4 short entries - 20 marks

Create a character who has a secret to confess, but who is afraid to confess it. Write the diary or journal entries that your character would write as she or he considers the secret, explores why it needs to be confessed, think about who will be affected if the secret is known, and consider why she or he is afraid. Write a series of diary or journal entries, as if they were written over a period of several days or a week. In the entries, you can incorporate the main character's interactions with others and explore the ways that the day-to-day events that the character experiences influence the way that she or he thinks about the secret and confession. Your character's decision to tell (or not) should be revealed in the final diary or journal entry. All the entries need to work together as a whole -- they should sound like the writings of a single person, (first person narration) .

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